Galerie Krinzinger & Krinzinger Schottenfeld curated by Antony Hudek
„COVER UP“

Curator(s):

Antony Hudek More

Antony Hudek is Research Curator at Tate Liverpool and Senior Lecturer at Liverpool John Moores University. His research focuses on histories of art—in particular, on histories of exhibitions—from the late 1950s to the present. He has (co-)curated exhibitions of work by Artist Placement Group, Marcia Hafif, John Latham, and John Murphy, among others. With Sara De Bondt he runs Occasional Papers, a non-profit press devoted to lesserknown histories of art, graphic design, and film (occasionalpapers.org). At Liverpool John Moores University, he initiated the Exhibition Research Centre, devoted to exhibition practice, theory, and history (erc-ljmu.org).

Artist(s):

• Bernhard Pifaretti
• Erik Schmidt
• Marc Adrian
• Irene Andessner
• Eleanor Antin
• Siegfried Anzinger
• Hans Bischoffshausen
• Erwin Bohatsch
• Peggy Buth
• Merlin Carpenter
• Plamen Dejanoff
• Heinrich Dunst
• Thomas Feuerstein
• Olivier Foulon
• Inci Furni
• Gilbert & George
• Joachim Grommek
• Georg Herold
• Franz Hubmann
• Martha Jungwirth
• Tillman Kaiser
• Brigitte Kowanz
• Angelika Krinzinger
• Elke Silvia Krystufek
• John Latham
• Thomas Locher More
  Thomas Locher (born 1956 in Mundekringen, lives and works in Berlin/Leipzig), a pioneering German artist for the realm of neo-conceptual art, achieved international renown for his spatial text works and installations. He has been consistently concerned for many years with foundations like the grammatical order of language and the complexity of its functioning in legal texts or economics, foundations that seem permanent, but nonetheless contain a portion of fictionality. His engagement with systems of meaning stretches also to their content, especially the political implications and the practical impacts on the life reality of individuals and groups. If we speak about Thomas Locher’s works, we are tempted to follow the conceptuality of the theories that lie at their foundation. But his works do not represent linguistic or sociological research, nor are they theories set into image. They stand as artworks, as aesthetic units of their own, their consistent design, sober on first glance, on second glance soaked in irony, allow us to follow his considerations without reference to theories. Thomas Locher has exhibited his work around the world: KMD Kunsthalle Marcel Duchamp, The Forestay Museum of Art, Cully Galerie, Galerie Silberkuppe, Berlin (2017), Secession Vienna (2013), ZKM Karlsruhe (2012), Kunstmuseum Stuttgart (2012), MAK, Vienna (2012), Kunstpalais Erlangen (2012), Berlin Biennale, Georg Kargl BOX, Vienna (2010), ZKM, Karlsruhe (2009), Kunstverein Heilbronn (2007), Museum of Modern Art, New York (2006), Georg Kargl Fine Arts, Vienna (2006, 2002, 1999), Deichtorhallen, Hamburg (2004), Museum of Modern Art Saitama/Japan (1994), Museum of Contemporary Art, Sydney (1992) and Tate Gallery, Liverpool (1989).
• William Mackrell
• Jonathan Meese
• John Murphy
• Albert Oehlen More
  *1954, lives in Switzerland
• Rudolf Polanszky
• Arnulf Rainer
• Franz Ringel
• Marianne Sayn-Wittgenstein
• Allison Schulnik
• Lucie Stahl
• Elaine Sturtevant
• Wolfgang Walkensteiner
• Franz West

Photos