Croy Nielsen curated by Karen Archey
„The Shed“
9.9 - 4.10.2025
Press release
Croy Nielsen, Parkring 4, 1010 Vienna
www.croynielsen.com
www.croynielsen.com
Curator(s):
Karen Archey
More
Karen Archey is Head of the Curatorial Department at Kunstsammlung Nordrhein-Westfalen, Düsseldorf. There, she manages the program and curatorial teams of K20 and K21. From 2016 to 2025, she was Curator of Contemporary Art at Stedelijk Museum, Amsterdam. Her book 'After Institutions' was published by Floating Opera Press in 2022.

Credits: Portrait by Andreas Endermann
Artist(s):
- Nina Beier
- Judith Bernstein
- Lynda Benglis
- Alice Channer
Exhibition text
MoreAnimals congregate in The Shed:
Communist pigs and neoliberal swine
Assemble under one stainless steel roof
Called a shell.
To shed is to peel off outer layers:
To make room for new appearances,
e x p a n d our usual membranes.
Paper, silk and chicken wire
Busy getting to know
this fresh new skin.
Thank you Nina Beier, Lynda Benglis, Judith Bernstein, Alice Channer.
Videos
Photos
Nina Beier, Lynda Benglis, Alice Channer, installation view The Shed, Croy Nielsen, Vienna, 2025
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Lynda Benglis, Alice Channer, installation view The Shed, Croy Nielsen, Vienna, 2025
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Alice Channer, installation view The Shed, Croy Nielsen, Vienna, 2025
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Lynda Benglis, installation view The Shed, Croy Nielsen, Vienna, 2025
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Nina Beier, Alice Channer, installation view The Shed, Croy Nielsen, Vienna, 2025
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Beast, 2024, Mechanical bull, plastic jugs and breast milk substitute | Bull: 165 × 70 × 170 cm, Remote (connected to Bull by wire): 50 × 50 × 50 cm
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Beast, 2024, Mechanical bull, plastic jugs and breast milk substitute | Bull: 165 × 70 × 170 cm, Remote (connected to Bull by wire): 50 × 50 × 50 cm
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Beast, 2024, Mechanical bull, plastic jugs and breast milk substitute | Bull: 165 × 70 × 170 cm, Remote (connected to Bull by wire): 50 × 50 × 50 cm
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Beast, 2024, Mechanical bull, plastic jugs and breast milk substitute | Bull: 165 × 70 × 170 cm, Remote (connected to Bull by wire): 50 × 50 × 50 cm
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Alice Channer, Soft Sediment Deformation, Full Body (crows feet), 2018, 190 × 107 cm & Soft Sediment Deformation, Full Body (quilted gray), 2018, 196 × 108 cm | both Chevron Pleated Ink Jet Print on and in Heavy Crepe De Chine
Courtesy the artist and Konrad Fischer Galerie | Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Alice Channer, Soft Sediment Deformation, Full Body (frown lines), 2018, Chevron Pleated Ink Jet Print on and in Heavy Crepe De Chine, 192 × 110 cm
Courtesy the artist and Konrad Fischer Galerie. Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Judith Bernstein, SCREW 5, 2014, Charcoal on linen, 350 × 216 cm
Courtesy of the artist and Karma International, Zurich | Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Judith Bernstein, SMALL HORIZONTAL NUMBER 8, 1973, Charcoal on paper, 45.72 × 63.5 cm
Courtesy of the artist and Karma International, Zurich Photo by Flavio Karrer
Lynda Benglis, Bone Ribbon, 2015-2016, Handmade paper over chicken wire, 154.9 × 58.4 × 45.7 cm
Courtesy the artist, Pace Gallery, New York and Xavier Hufkens, Brussels. Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Lynda Benglis, Bone Ribbon, 2015-2016, Handmade paper over chicken wire, 154.9 × 58.4 × 45.7 cm
Courtesy the artist, Pace Gallery, New York and Xavier Hufkens, Brussels. Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.
Judith Bernstein, installation view The Shed, Croy Nielsen, Vienna, 2025
Images courtesy of the artists and Croy Nielsen, Vienna. Photos by Kunst-Dokumentation.