Galerie Kandlhofer curated by DJ Hellerman
„Shored Against My Ruins“

9.9 - 4.10.2025 Press release Arrow
Galerie Kandlhofer, Brucknerstrasse 4, 1040 Vienna
www.kandlhofer.com

Curator(s):

DJ Hellerman More Arrow
DJ Hellerman is the Deputy Director & Senior Curator at moCa Cleveland where he is responsible for setting and implementing moCa's curatorial vision. He is charged with bringing moCa's mission and vision to life through strategic and collaborative partnerships. Formerly, DJ served as the Chief Curator & Director of Curatorial Affairs at The Fabric Workshop & Museum in Philadelphia where he led the research and execution of artist-centered projects, exhibitions, and programming. Focused on helping ideas find material form through the foundational elements of collaboration, experimentation, and process over product, DJ is committed to building relationships based on trust, effective communication, and vulnerability to allow for the openness and intimacy essential for creating meaningful work. Working with artists across context-sensitive, intergenerational, and interdisciplinary projects, DJ focuses on artistic process; the relationship between art, technology, and spirituality; place-based art making; early use of video as an art form; and the development of alternative cultural institutions. Recent exhibitions include Harminder Judge: Bootstrap Paradox; Soft/Cover; Henry Taylor: Nothing Change, Nothing Strange; Jayson Musson: His History of Art; Doreen Lynette Garner: Pale In Comparison; Ira Lombardia: VOID; YOKO ONO: REMEMBERING THE FUTURE; Strata: Frank Gillette and Suzanne Anker co-curated with David Ross; Jeff Donaldson: Dig; Vanessa German: de.structive dis.tillation; Adam Milner: Late Night Space Force; Edie Fake: Structures Shift; TR Ericsson: I Was Born To Bring You Into This World; Björn Schülke: Traveling Spy; and Mildred Beltré: DreamWork.
Courtesy DJ Hellerman

Artist(s):

  • Franco Andrés
  • King Cobra
  • Maxime Cavajani
  • TR Ericsson
  • Peter Gallo
  • Karl Karner
  • Maja Ruznic

Exhibition text

More Arrow

Fragmentation is ultimately an illusion. It is a ruse, a mirage that makes itself known through the melancholy and the euphoric, as life separates and splinters. Sometimes the stuff of daily life–a moonrise, an unassuming meal, an unyielding lament, the folding of freshly laundered things–becomes a ritualized act from which we glimpse the sublime. Catching these tiny fleeting shards is everything, wholeness.

 

Shored Against My Ruins features work by seven artists who embrace loose ends, the indecipherable, and the untidy. Their work is deeply connected to the process of coming undone. With a distinct relationship to the physical and psychic archive, each artist tackles the notion of reassembling. Their work is built of personal and communal objects, memories, and autobiographical experiences reminding us to pay close attention to what we collect during our own process of endless reconstruction.

 

These images persist

They work on me

As I glean and gather

And work on them, too

For a new, or at least another

Videos

Photos

Installation View: Shored Against My Ruins Galerie Kandlhofer, 2025
Courtesy of Galerie Kandlhofer Photo by Manuel Carreon Lopez
Installation View: Shored Against My Ruins Galerie Kandlhofer, 2025
Courtesy of Galerie Kandlhofer Photo by Manuel Carreon Lopez
Installation View: Shored Against My Ruins Galerie Kandlhofer, 2025
Courtesy of Galerie Kandlhofer Photo by Manuel Carreon Lopez
Installation View: Shored Against My Ruins Galerie Kandlhofer, 2025
Courtesy of Galerie Kandlhofer Photo by Manuel Carreon Lopez
Franco Andrés, Ceremonial Assurance, 2025, oil on linen, in two parts overall/ 35.6 x 55.9 x 3.8 cm; 14 x 22 x 1 1/2 in each/ 28 x 36 cm; 11 x 14 in
Photo Credits Manuel Carreon Lopez
Franco Andrés, Doing Away With Lamentation, 2025, oil on linen, in four parts overall/ 35.6 x 111.8 x 3.8 cm; 14 x 44 x 1 1/2 in each/ 28 x 36 cm; 11 x 14 in
Photo Credits Manuel Carreon Lopez
Franco Andrès, Gradual Undoings, 2025
Photo Credits Manuel Carreon Lopez
Franco Andrés, Making For A Wise Life, 2025
Photo Credits Manuel Carreon Lopez
Karl Karner, I love to smell the cow, 2025, bronze 90 x 60 x 60
photo by Manuel Carreon Lopez
Karl Karner, I love to smell the cow, 2025, bronze 90 x 60 x 60
photo by Manuel Carreon Lopez
Karl Karner, the play with the tree, 2025, aluminium, 285 x 115 x 155 cm
photo by Manuel Carreon Lopez
King Cobra, Gretchen, 2025 Silicone, Flocking powder, Fabric, Tattoo ink, Stainless Steel, Lace, Zip Ties, Hemp 37.084 x 53.34 cm
photo Manuel Carreon Lopez
King Cobra John, 2025, Silicone, Flocking powder, Fabric, Tattoo ink, Stainless Steel, Hemp 37.084 x 53 cm
photo Manuel Carreon Lopez
Maja Ruznic NANA, 2025 Oil on linen 46.36 x 33.35 cm 18 1/4 x 13 1/8 in
© Maja Ruznic. Courtesy the artist and Karma, Photo by Manuel Carreon Lopez
Maja Ruznic, The Fading Memory of Your Grandfather, 2025
© Maja Ruznic. Courtesy the artist and Karma Photo by Manuel Carreon Lopez
Maxime Cavajani, Still Image of Forrest For The Trees (fragments), 2025
courtesy of Maxime Cavajani
Peter Gallo, Possession, 2023-5 oil, acrylic, and inkjet prints on found wood, 130.8 x 83.8 cm, 51 1/2 x 33 in
Courtesy of the artist and Adams and Ollman
Peter Gallo, Possession, 2023-2025
courtesy of the artist & Adams and Ollman, photo by Area Array
Peter Gallo, Untitled Figure, 2020
Courtesy of the artist and Adams and Ollman, photo by Area Array
TR Ericsson, Hammer, 2022-2023
Courtesy of the artist and TOTAH
TR Ericsson, Shells, 2022-2023
Courtesy of the artist and TOTAH