Bianca Hlywa's (b. 1992, Canada) interdisciplinary practice emerges from an analysis of a cultural infrastructure defined by polarities inherited from modernity: between life/non-life, good/bad, and artificial/natural. Her work seeks to make visible the ways in which these notions have shaped the norms of contemporary politics and aesthetics. This is often done by challenging them using a visceral and curious materiality: oftentimes, SCOBY (Symbiotic Cultures Of Bacterial Yeast), grown to enormous proportions.

Morag Keil is living and working in London. Solo exhibitions include Artificial Intelligence,  Isabella Bortolozzi, Berlin (2024), Needs & Wants, Jennys, New York (2023); A Life Less Ordinary (Sh*ll*w Gr*v*), Ivory Tars, Glasgow, Scotland (2021); L.I.B.E.R.T.Y, Project Native Informant, London (2014); Would you eat your friends?, Real Fine Arts, New York (2014); Potpourri, Cubitt, London (2013) and group exhibitions such as Art and Alienation at Kunsthalle Friart Fribourg (2025) and Lifes at Hammer Museum LA (2022).

Margherita Raso (b. 1991, IT) lives and works in Basel, Switzerland. Her recent solo exhibitions include Yet to Be Read or Seen, 18, Murata, Tokyo, JP, 2025; the hearing eye and the speaking ear, Fanta-MLN, Milan, IT, 2024; In dem Schloss, Milieu, Bern, CH, 2023; Vizio di Forma, Magazzino Italian Art, New York, US, 2022; Casting The Tempo, with music by Kali Malone, Santa Maria in Lucedio Abbey, Vercelli, IT, 2021; Canal, Bible, New York, US, 2018; and Piercing, Fanta-MLN, Milan, IT, 2017. Her works have been exhibited at Kunsthalle Basel (CH), Kunsthaus Baselland (CH), Kaufmann Repetto (New York, USA), Fondazione Arnaldo Pomodoro (Milan, IT), MACRO (Rome, IT), Fanta-MLN (Milan, IT), WPN-NYC (New York, USA), WallRiss (Freiburg, CH), MAMbo (Bologna, IT), Armada (Milan, IT) and Komplot (Brussels, BE), among others.