GIANNI MANHATTAN curated by Bianca Stoppani

Wassergasse 14
1030 Wien

Ausstellung

The Invisible Hand

Kurator*in

Bianca Stoppani

Credits: photo: Giacomo Bianco

CV

Bianca Stoppani is an art researcher who does writing and curatorial work around deviant beings and emancipatory politics. Their writings have appeared in artists’s catalogues, art magazines, and newspapers. They have organised reading groups as well as given talks at art institutions, artist-run spaces, and universities. In their role of curator for the editorial and discursive projects at Fondazione In Between Art Film, they co-edited the exhibition catalogues Nebula (Marsilio Arte, 2024), Ali Cherri: Dreams of a Dreamless Night (Lenz, 2024) and Penumbra (Mousse, 2022); as well as curated the exhibition public programmes Thick Atmospheres (Teatrino di Palazzo Grassi, Venice, 2024) and Vanishing Points (Complesso dell’Ospedaletto, Venice, 2022).

Bilder

Bianca Hlyway, Thermaloop, installation view Gossamer Fog (2022).

photo: Maite De Orbe
courtesy the artist
Bianca Hlywa, Mute Track, installation view St.Chads (2025)

photo: Studio Adamson
courtesty the artist
Bianca Hlywa, Mute Track, installation view St. Chad (2025)

photo: Studio Adamson
courtesty the artist
Margherita Raso, the hearing eye and the speaking ear, Installation view Fanta-MLN, Milan, I, 2024

Courtesy of the artist and Fanta-MLN, Milan
Photo: Roberto Marossi
Margherita Raso, the hearing eye and the speaking ear, installation view Fanta-MLN, Milan, I, 2024

Courtesy of the artist and Fanta-MLN, Milan
Photo: Margherita Raso
Morag Keil, Artificial Intelligence, installation view Galerie Isabella Bortolozzi, Berlin (2024)

Photo: Guillaume Python.
Courtesy of the artist and Galerie Isabella Bortolozzi, Berlin
Morag Keil, Client (detail), 2024.

Photo: Guillaume Python.
Courtesy of the artist and Galerie Isabella Bortolozzi, Berlin

Künstler*innen

Bianca Hlywa

Bianca Hlywa's (b. 1992, Canada) interdisciplinary practice emerges from an analysis of a cultural infrastructure defined by polarities inherited from modernity: between life/non-life, good/bad, and artificial/natural. Her work seeks to make visible the ways in which these notions have shaped the norms of contemporary politics and aesthetics. This is often done by challenging them using a visceral and curious materiality: oftentimes, SCOBY (Symbiotic Cultures Of Bacterial Yeast), grown to enormous proportions.
Morag Keil

Morag Keil is living and working in London. Solo exhibitions include Artificial Intelligence, Isabella Bortolozzi, Berlin (2024), Needs & Wants, Jennys, New York (2023); A Life Less Ordinary (Sh*ll*w Gr*v*), Ivory Tars, Glasgow, Scotland (2021); L.I.B.E.R.T.Y, Project Native Informant, London (2014); Would you eat your friends?, Real Fine Arts, New York (2014); Potpourri, Cubitt, London (2013) and group exhibitions such as Art and Alienation at Kunsthalle Friart Fribourg (2025) and Lifes at Hammer Museum LA (2022).
Margherita Raso

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