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Croy Nielsen
curated by
The Shed
The Shed
Animals congregate in The Shed:
Communist pigs and neoliberal swine
Assemble under one stainless steel roof
Called a shell.
To shed is to peel off outer layers:
To make room for new appearances,
e x p a n d our usual membranes.
Paper, silk and chicken wire
Busy getting to know
this fresh new skin.
Thank you Nina Beier, Lynda Benglis, Judith Bernstein, Alice Channer.
Media
Bilder
Nina Beier, Beast, 2018, mechanical bull, plastic tanks, baby milk formula, dimensions variable, installation view, European Interiors, Spike Island, Bristol, 2018
Courtesy of the artist and Croy Nielsen, Vienna
Photo by Stuart Whipp
Judith Bernstein, SCREW 5, 2014, harcoal on linen, 350 × 216 cm
Courtesy of the artist and Karma International, Zurich
Photo by Flavio Karrer
Lynda Benglis, Bone Ribbon, 2015-2016, handmade paper over chicken wire, 154.9 x 58.4 x 45.7 cm
Courtesy the artist, Pace Gallery, New York and Xavier Hufkens, Brussels
Alice Channer, Soft Sediment Deformation, Full Body (frown lines), 2018, Chevron Pleated Ink Jet Print on and in Heavy Crepe de Chine, approx. 192 x 110 cm
Photo by Lucy Dawkins
Courtesy the artist and Konrad Fischer Galerie