GIANNI MANHATTAN
curated by Bianca Stoppani

Adresse

Wassergasse 14

1030 Wien

Barrierefreiheit

nicht barrierefrei

Kurator*innen

Bianca Stoppani

Bianca Stoppani is an art researcher who does writing and curatorial work around deviant beings and emancipatory politics. Their writings have appeared in artists’s catalogues, art magazines, and newspapers. They have organised reading groups as well as given talks at art institutions, artist-run spaces, and universities. In their role of curator for the editorial and discursive projects at Fondazione In Between Art Film, they co-edited the exhibition catalogues Nebula (Marsilio Arte, 2024), Ali Cherri: Dreams of a Dreamless Night (Lenz, 2024) and Penumbra (Mousse, 2022); as well as curated the exhibition public programmes Thick Atmospheres (Teatrino di Palazzo Grassi, Venice, 2024) and Vanishing Points (Complesso dell’Ospedaletto, Venice, 2022).

Künstler*innen

Bianca Hlywa

Bianca Hlywa's (b. 1992, Canada) interdisciplinary practice emerges from an analysis of a cultural infrastructure defined by polarities inherited from modernity: between life/non-life, good/bad, and artificial/natural. Her work seeks to make visible the ways in which these notions have shaped the norms of contemporary politics and aesthetics. This is often done by challenging them using a visceral and curious materiality: oftentimes, SCOBY (Symbiotic Cultures Of Bacterial Yeast), grown to enormous proportions.

Morag Keil

Morag Keil is living and working in London. Solo exhibitions include Artificial Intelligence, Isabella Bortolozzi, Berlin (2024), Needs & Wants, Jennys, New York (2023); A Life Less Ordinary (Sh*ll*w Gr*v*), Ivory Tars, Glasgow, Scotland (2021); L.I.B.E.R.T.Y, Project Native Informant, London (2014); Would you eat your friends?, Real Fine Arts, New York (2014); Potpourri, Cubitt, London (2013) and group exhibitions such as Art and Alienation at Kunsthalle Friart Fribourg (2025) and Lifes at Hammer Museum LA (2022).

Margherita Raso

Margherita Raso (b. 1991, IT) lives and works in Basel, Switzerland. Her recent solo exhibitions include Yet to Be Read or Seen, 18, Murata, Tokyo, JP, 2025; the hearing eye and the speaking ear, Fanta-MLN, Milan, IT, 2024; In dem Schloss, Milieu, Bern, CH, 2023; Vizio di Forma, Magazzino Italian Art, New York, US, 2022; Casting The Tempo, with music by Kali Malone, Santa Maria in Lucedio Abbey, Vercelli, IT, 2021; Canal, Bible, New York, US, 2018; and Piercing, Fanta-MLN, Milan, IT, 2017. Her works have been exhibited at Kunsthalle Basel (CH), Kunsthaus Baselland (CH), Kaufmann Repetto (New York, USA), Fondazione Arnaldo Pomodoro (Milan, IT), MACRO (Rome, IT), Fanta-MLN (Milan, IT), WPN-NYC (New York, USA), WallRiss (Freiburg, CH), MAMbo (Bologna, IT), Armada (Milan, IT) and Komplot (Brussels, BE), among others.